The principal theme is stated as a canon, with viola, second violin, and first violin stating the theme, which modulates into a dominant, and lead into the subordinate theme in measure 90. The recapitulation (measure 192) brings the subordinate theme in the main key of F (measure 221), and, after a momentary burst of activity, the movement whispers away. All thematic material is lyrical; contrasts are achieved through the use of contrapuntal writing (as in the middle section of the subordinate theme, beginning in measure 57, and especially in beginning in measure 65), or color contrasts (such as changes of keys--beginning of the development, and particularly the non-traditional key of the subordinate theme in the recapitulation). After much contrapuntal work (including a charming "horse-riding" episode worthy of Rossini, beginning in measure 296), the recapitulation begins with the now familiar question-answer motives, this time enunciated by the combined strings (measure 371). The main theme of the third movement Nocturne, performed in string orchestra arrangements and perhaps the most famous in the quartet, also appears in the musical Kismet, as And This is My Beloved. The subordinate theme retains the frantic pace of the principal theme, to be contrasted with a more relaxed closing theme, based on the motives of the subordinate theme, at measure 177. The development starts just as the exposition--with the question-answer dialogue, except the question now is in lower strings, and the answer in violins. This page lists all recordings of String Quartet No. The development (beginning in measure 108) begins with the same material as the exposition, except the cello is in the low register, and the key is changed from D major to F major. The descending scale-based figure of the subordinate theme, repeated by viola starting with measure 51, recalls the principal theme. The principal theme of this movement (descending scale-based figure of the first violin, accompanied by a falling motive in a viola) reminds one of Mendelssohn's scherzi. No more searching the internet only to find poor quality copies or faded scans. The transition begins in measure 35, and quickly leads into the subordinate theme (measure 44) in A-Major, a dominant. Payments can be made in most currencies as well as United States Dollars. Violin | Cello | sheet music. 2, written in 1881, by Alexander Borodin is a work in four movements: It was written in Zhitovo, while staying with his friend, the minor composer Nikolai Lodyzhensky. Choose the level of Membership that's right for you. Skill Level: 8 out The finale is the movement where Borodin's contrapuntal mastery is on full display. Showing 1 - 10 of 54 results Sort by: Download and print what you want, when you want it. The String Quartet No. These "question-answer" motives (one possibly being an imprecise retrograde inversion of another) combine into the principal theme of the movement (beginning with measure 20), where the "answer" makes an accompaniment, and the "question" makes for the upper voice. Some scholars, such as Borodin's biographer Serge Dianin, suggest that the quartet was a 20th anniversary gift and that it has a program evoking the couple's first meeting in Heidelberg. 2: 3rd Movement (Notturno) (Nocturne) by Alexander Porfiryevich Borodin (1833-87). Alexander Borodin was, like many of his now famous Russian composer friends, a composer by avocation; he had a day job. This page was last edited on 18 July 2019, at 22:50. Allegro moderato in D major and 2/2 time, with 304 bars;; Scherzo.Allegro in F major and 3/4 time, with 299 bars;; Notturno (Nocturne): Andante in A major and 3/4 time, with 180 bars;; Finale: Andante — Vivace in D major and 2/4 time, with 671 bars. From Infogalactic: the planetary knowledge core, String Quartet No. The three-part structure of the subordinate theme, though, allows Borodin to reach the expected D major in the a' part of the subordinate theme (measure 257), and the closing theme (measure 266) concludes the movement. It was written when he was in his late forties and at exactly the period when finding time for music was becoming nigh on impossible. The String Quartet No. Of note is also the appearance of a scherzo as the second movement in a sonata cycle, rather than the more customary third movement.  Of its four movements, the third movement "Notturno" is the most famous. Of particular note is Borodin's masterful statement of the main theme after the middle section in canon (first cello and the first violin, then two violins).
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